The fragile nature of the eco-system is paralleled through the use of a delicate medium and structure in the paper sculptures. Laser cut shapes of plants, hyacinths, fish and pelicans are used to create sculptural forms reminiscent of sprouting seed structures and allude to images of growth through association with plant buds and roots. The use of repetitive imagery through joined paper shapes echoes cloning methods, prevalent in scientific experimentation used in regeneration methods.
Works Available For Sale at Our Gallery – Jane Tagg:
*dimensions are in cm.
SOLD_DODGE THE BEARS
Oil on Canvas
Dim150 H x 150W
Video game: Dodge the bears.
Environmental and animal rights issues looking at ill treatment of bears.
"A whole new world of snapping." Traps, cages and environmentalism.
People say the strangest of things, and they are easily judged by what they say. In a way they form mental traps.
"Think before you ink" is a series of works inspired by conversations. Each piece explores interactions and connections between humans and animals, and highlights the conservation status of species
DODGE THE BEARS
Oil on Canvas
Dim150 H x 150W
Video game: Dodge the bears.
Environmental and animal rights issues looking at ill treatment of bears.
"A whole new world of snapping." Traps, cages and environmentalism.
People say the strangest of things, and they are easily judged by what they say. In a way they form mental traps.
"Think before you ink" is a series of works inspired by conversations. Each piece explores interactions and connections between humans and animals, and highlights the conservation status of species
DUTY ROSTER
Oil on Canvas
dim.150 H x150 W
Trapping comorants. Animal rights issues.
DUTY ROSTER
Oil on Canvas
dim.150 H x150 W
Trapping comorants. Animal rights issues.
SHES A PHONEY
Acrylic on Canvas
dim. 100 H x 100 W
The platypus is a phoney!!!! Originally thought to be a fake creature –in this work the bear is disguised as a platypus
. "A whole new world of snapping." Traps, cages and environmentalism.
People say the strangest of things, and they are easily judged by what they say. In a way they form mental traps.
"Think before you ink" is a series of works inspired by conversations. Each piece explores interactions and connections between humans and animals, and highlights the conservation status of species
SHES A PHONEY
Acrylic on Canvas
dim. 100 H x 100 W
The platypus is a phoney!!!! Originally thought to be a fake creature –in this work the bear is disguised as a platypus
. "A whole new world of snapping." Traps, cages and environmentalism.
People say the strangest of things, and they are easily judged by what they say. In a way they form mental traps.
"Think before you ink" is a series of works inspired by conversations. Each piece explores interactions and connections between humans and animals, and highlights the conservation status of species
NESTING GROUND
Paper, screen –print inks, wicker basket
dim.150 H x 80 W x 30 D
Work is focused on how the problem with water hyacinth can be alleviated; in particular highlighting the natural habitat that must remain in order to attract the migratory birds.
Water hyacinth is known to have a suffocating effect; thus the key to keeping a more stable environment lies beneath the surface. The change in the oxygen levels of the water has serious consequences for the balance of underwater life. Excess water-weeds kill and suffocate the fish population, however, weevils are hard at work controlling the plant growth and keeping the eco-system stable.
The fragile nature of the eco-system is paralleled through the use of a delicate medium and structure in the paper sculptures. Laser cut shapes of plants, hyacinths, fish and pelicans are used to create sculptural forms reminiscent of sprouting seed structures and allude to images of growth through association with plant buds and roots. The use of repetitive imagery through joined paper shapes echoes cloning methods, prevalent in scientific experimentations used in regeneration methods.
NESTING GROUND
Paper, screen –print inks, wicker basket
dim.150 H x 80 W x 30 D
Work is focused on how the problem with water hyacinth can be alleviated; in particular highlighting the natural habitat that must remain in order to attract the migratory birds.
Water hyacinth is known to have a suffocating effect; thus the key to keeping a more stable environment lies beneath the surface. The change in the oxygen levels of the water has serious consequences for the balance of underwater life. Excess water-weeds kill and suffocate the fish population, however, weevils are hard at work controlling the plant growth and keeping the eco-system stable.
The fragile nature of the eco-system is paralleled through the use of a delicate medium and structure in the paper sculptures. Laser cut shapes of plants, hyacinths, fish and pelicans are used to create sculptural forms reminiscent of sprouting seed structures and allude to images of growth through association with plant buds and roots. The use of repetitive imagery through joined paper shapes echoes cloning methods, prevalent in scientific experimentations used in regeneration methods.
SAFE HAVEN
Paper
dim.250 H x 125 W x 20 D
Work is focused on how the problem with water hyacinth can be alleviated; in particular highlighting the natural habitat that must remain in order to attract the migratory birds.
Water hyacinth is known to have a suffocating effect; thus the key to keeping a more stable environment lies beneath the surface. The change in the oxygen levels of the water has serious consequences for the balance of underwater life. Excess water-weeds kill and suffocate the fish population, however, weevils are hard at work controlling the plant growth and keeping the eco-system stable.
The fragile nature of the eco-system is paralleled through the use of a delicate medium and structure in the paper sculptures. Laser cut shapes of plants, hyacinths, fish and pelicans are used to create sculptural forms reminiscent of sprouting seed structures and allude to images of growth through association with plant buds and roots. The use of repetitive imagery through joined paper shapes echoes cloning methods, prevalent in scientific experimentations used in regeneration methods.
SAFE HAVEN
Paper
dim.250 H x 125 W x 20 D
Work is focused on how the problem with water hyacinth can be alleviated; in particular highlighting the natural habitat that must remain in order to attract the migratory birds.
Water hyacinth is known to have a suffocating effect; thus the key to keeping a more stable environment lies beneath the surface. The change in the oxygen levels of the water has serious consequences for the balance of underwater life. Excess water-weeds kill and suffocate the fish population, however, weevils are hard at work controlling the plant growth and keeping the eco-system stable.
The fragile nature of the eco-system is paralleled through the use of a delicate medium and structure in the paper sculptures. Laser cut shapes of plants, hyacinths, fish and pelicans are used to create sculptural forms reminiscent of sprouting seed structures and allude to images of growth through association with plant buds and roots. The use of repetitive imagery through joined paper shapes echoes cloning methods, prevalent in scientific experimentations used in regeneration methods.
GROWING FROM CHAOS
Plastic, Paper, fishing wire, textiles, on scientific clamp stand
dim.65 H x28 W x 34 D
Referencing scientific methods of regeneration and “the frozen zoo”; test tube sculptures re-grow the environment. Intertwined tendrils grow out of cell structures and create new organic structures. Cast shadows are reminiscent of new species. The birth of these new hybrids, heighten our awareness of the need to cultivate a climate promoting growth.
GROWING FROM CHAOS
Plastic, Paper, fishing wire, textiles, on scientific clamp stand
dim.65 H x28 W x 34 D
Referencing scientific methods of regeneration and “the frozen zoo”; test tube sculptures re-grow the environment. Intertwined tendrils grow out of cell structures and create new organic structures. Cast shadows are reminiscent of new species. The birth of these new hybrids, heighten our awareness of the need to cultivate a climate promoting growth.
SURVIVAL
Plastic, paper, fishing wire on scientific clamp stand
dim. 65 H x37 W x 27 D
Referencing scientific methods of regeneration and “the frozen zoo”; test tube sculptures re-grow the environment. Intertwined tendrils grow out of cell structures and create new organic structures. Cast shadows are reminiscent of new species. The birth of these new hybrids, heighten our awareness of the need to cultivate a climate promoting growth.
SURVIVAL
Plastic, paper, fishing wire on scientific clamp stand
dim. 65 H x37 W x 27 D
Referencing scientific methods of regeneration and “the frozen zoo”; test tube sculptures re-grow the environment. Intertwined tendrils grow out of cell structures and create new organic structures. Cast shadows are reminiscent of new species. The birth of these new hybrids, heighten our awareness of the need to cultivate a climate promoting growth.
BREEDING GROUND
Plastic, clay, textiles, fishing wire
dim. 29 H x 30 W x 20
Referencing scientific methods of regeneration and “the frozen zoo”; test tube sculptures re-grow the environment. Intertwined tendrils grow out of cell structures and create new organic structures. Cast shadows are reminiscent of new species. The birth of these new hybrids, heighten our awareness of the need to cultivate a climate promoting growth.
BREEDING GROUND
Plastic, clay, textiles, fishing wire
dim. 29 H x 30 W x 20
Referencing scientific methods of regeneration and “the frozen zoo”; test tube sculptures re-grow the environment. Intertwined tendrils grow out of cell structures and create new organic structures. Cast shadows are reminiscent of new species. The birth of these new hybrids, heighten our awareness of the need to cultivate a climate promoting growth.
‘FLOWERING BULB’
Paper
dim.62 H x 60 W x 10 D
Repetitive shapes of leaves, insects, fish and birds are used to construct new plant life
‘FLOWERING BULB’
Paper
dim.62 H x 60 W x 10 D
Repetitive shapes of leaves, insects, fish and birds are used to construct new plant life
“BULB”
Paper
dim. 42 H x32 W x 5D
Repetitive shapes of leaves, insects, fish and birds are used to construct new plant life
“BULB”
Paper
dim. 42 H x32 W x 5D
Repetitive shapes of leaves, insects, fish and birds are used to construct new plant life
FLIGHT I
Paper
dim. 38 H x 82 W x 12D
Paper cut shapes are joined to create shapes reminiscent of flowering plants.
Intertwined tendrils grow out of cell structures and create new organic structures. Cast shadows are reminiscent of new species. The birth of these new hybrids, heighten our awareness of the need to cultivate a climate promoting growth.
FLIGHT I
Paper
dim. 38 H x 82 W x 12D
Paper cut shapes are joined to create shapes reminiscent of flowering plants.
Intertwined tendrils grow out of cell structures and create new organic structures. Cast shadows are reminiscent of new species. The birth of these new hybrids, heighten our awareness of the need to cultivate a climate promoting growth.
FLIGHT II
Clay, paper, acrylic
dim. 39 H x 40 W x 14 D
Intertwined tendrils grow out of cell structures and create new organic structures reminiscent of flight. Cast shadows are reminiscent of new species. The birth of these new hybrids, heighten our awareness of the need to cultivate a climate promoting growth.
FLIGHT II
Clay, paper, acrylic
dim. 39 H x 40 W x 14 D
Intertwined tendrils grow out of cell structures and create new organic structures reminiscent of flight. Cast shadows are reminiscent of new species. The birth of these new hybrids, heighten our awareness of the need to cultivate a climate promoting growth.
CREATING GROWING CONDITIONS
Clay, paper, acrylic
dim. 70 H x 50 W x 11D
The key to developing a stable environment lies beneath the surface. Water hyacinths threaten to kill and suffocate the fish population, however, weevils are hard at work controlling the plant growth and keeping the eco-system stable.
Plants and fish are intertwined through cell structures creating a lively environment that promotes growth for native species
CREATING GROWING CONDITIONS
Clay, paper, acrylic
dim. 70 H x 50 W x 11D
The key to developing a stable environment lies beneath the surface. Water hyacinths threaten to kill and suffocate the fish population, however, weevils are hard at work controlling the plant growth and keeping the eco-system stable.
Plants and fish are intertwined through cell structures creating a lively environment that promotes growth for native species
HYACINTH GROWTH
Clay, paper, textiles
dim. 330 H x29 W x 9 D
The hyacinth is one of the biggest dangers to native fauna in the delta.
HYACINTH GROWTH
Clay, paper, textiles
dim. 330 H x29 W x 9 D
The hyacinth is one of the biggest dangers to native fauna in the delta.
NESTING
Paper, textiles, thread
dim. 38 H x28 W x5 D
Intertwined tendrils grow out of cell structures and create new organic structures. Cast shadows are reminiscent of new species. The birth of these new hybrids, heighten our awareness of the need to cultivate a climate promoting growth.
NESTING
Paper, textiles, thread
dim. 38 H x28 W x5 D
Intertwined tendrils grow out of cell structures and create new organic structures. Cast shadows are reminiscent of new species. The birth of these new hybrids, heighten our awareness of the need to cultivate a climate promoting growth.
NESTING STACK
Paper
dim.38 H x 36 W x 8 D
Paper cut shapes are joined to create shapes reminiscent of flowering plants
NESTING STACK
Paper
dim.38 H x 36 W x 8 D
Paper cut shapes are joined to create shapes reminiscent of flowering plants
NEW LIFE
Digital print, plastic, rubber washers, fishing wire
dim. 25 H x 25 W
New insect life is created from cell structures
NEW LIFE
Digital print, plastic, rubber washers, fishing wire
dim. 25 H x 25 W
New insect life is created from cell structures
TREE OF LIFE
Digital print, edition of 10
Art paper with certificate
dim. 150 H x 41 W
The tree of life shows the abundance of life which helps to support safe conditions for migrating birds.
TREE OF LIFE
Digital print, edition of 10
Art paper with certificate
dim. 150 H x 41 W
The tree of life shows the abundance of life which helps to support safe conditions for migrating birds.
SUFFOCATING THE HYACINTH
Digital prints (editions of 10)
100 H x 100 D
(main image 50 x 50, supporting mandalas 25 x 25)
Mandalas are created to represent the cell structures and show the circle of life needed to develop stability. Hyacinth plants are suffocated and circled by weevils and fish; promoting an environment to grow abundant reeds- essential in attracting nesting pelican
SUFFOCATING THE HYACINTH
Digital prints (editions of 10)
100 H x 100 D
(main image 50 x 50, supporting mandalas 25 x 25)
Mandalas are created to represent the cell structures and show the circle of life needed to develop stability. Hyacinth plants are suffocated and circled by weevils and fish; promoting an environment to grow abundant reeds- essential in attracting nesting pelican
Digital Prints
50H x 50 D
(individual mandalas 25H x 25 D)
Images are made from the main mandala, show nesting birds and patterns derived from the plant structures
Digital Prints
50H x 50 D
(individual mandalas 25H x 25 D)
Images are made from the main mandala, show nesting birds and patterns derived from the plant structures
Digital Prints
50H x 50 D
(individual mandalas 25H x 25 D)
Images are made from the main mandala, show nesting birds and patterns derived from the plant structures
Digital Prints
50H x 50 D
(individual mandalas 25H x 25 D)
Images are made from the main mandala, show nesting birds and patterns derived from the plant structures
Digital Prints
50H x 50 D
(individual mandalas 25H x 25 D)
Images are made from the main mandala, show nesting birds and patterns derived from the plant structures
Digital Prints
50H x 50 D
(individual mandalas 25H x 25 D)
Images are made from the main mandala, show nesting birds and patterns derived from the plant structures
Vali transformed her own studio into an alchemist’s laboratory, experimenting for a long period of time to discover the right formula which would confer the artwork that intense color effervescence as well as durability. This style of painting came to her through the brief description of Leonardo da Vinci’s painting La Bella Principesa, presented by Martin Kemp and Pascal Cotte in the book with the same name.
Works Available For Sale at Our Gallery – Vali Irina Ciobanu:
*dimensions are in cm.
1.DANUBE DELTA/ DELTA DUNARII
Water colour on vellum/ Culori de apa pe piele
Dim120 H x 160W
1.DANUBE DELTA/ DELTA DUNARII
Water colour on vellum/ Culori de apa pe piele
Dim120 H x 160W
2. DRAWING/ DESEN
Watercolor pencil Museum from Carand’ache
on paper
Creioane acuarelabile Museum de la Carand'ache pe hartie
dim.33 H x24 W
2. DRAWING/ DESEN
Watercolor pencil Museum from Carand’ache
on paper
Creioane acuarelabile Museum de la Carand'ache pe hartie
dim.33 H x24 W
3. DRAWING/ DESEN
Watercolor pencil Museum from Carand’ache on paper
Creioane acuarelabile Museum de la Carand'ache pe hartie
dim.33 H x24 W
3. DRAWING/ DESEN
Watercolor pencil Museum from Carand’ache on paper
Creioane acuarelabile Museum de la Carand'ache pe hartie
dim.33 H x24 W
4. DRAWING/ DESEN
Watercolor pencil Museum from Carand’ache on paper
Creioane acuarelabile Museum de la Carand'ache pe hartie
dim.48 H x33 W
4. DRAWING/ DESEN
Watercolor pencil Museum from Carand’ache on paper
Creioane acuarelabile Museum de la Carand'ache pe hartie
dim.48 H x33 W
5. DRAWING/ DESEN
Watercolor pencil Museum from Carand’ache on paper
Creioane acuarelabile Museum de la Carand'ache pe hartie
dim.48 H x33 W
5. DRAWING/ DESEN
Watercolor pencil Museum from Carand’ache on paper
Creioane acuarelabile Museum de la Carand'ache pe hartie
dim.48 H x33 W
6. DRAWING/ DESEN
Watercolor pencil Museum from Carand’ache on paper
Creioane acuarelabile Museum de la Carand'ache pe hartie
dim.48 H x33 W
6. DRAWING/ DESEN
Watercolor pencil Museum from Carand’ache on paper
Creioane acuarelabile Museum de la Carand'ache pe hartie
dim.48 H x33 W
7. DRAWING/ DESEN
Watercolor pencil Museum from Carand’ache on paper
Creioane acuarelabile Museum de la Carand'ache pe hartie
dim.33 H x24 W
7. DRAWING/ DESEN
Watercolor pencil Museum from Carand’ache on paper
Creioane acuarelabile Museum de la Carand'ache pe hartie
dim.33 H x24 W
8. DRAWING/ DESEN
Watercolor pencil Museum from Carand’ache on paper
Creioane acuarelabile Museum de la Carand'ache pe hartie
dim.33 H x24 W
8. DRAWING/ DESEN
Watercolor pencil Museum from Carand’ache on paper
Creioane acuarelabile Museum de la Carand'ache pe hartie
dim.33 H x24 W
9. Horse on leather dark - Horses - framed
Watercolour on vellum ( leather)
Dim. 70Hx50W
9_Horse on leather dark-
Horses - framed
Watercolour on vellum ( leather)
Dim. 70Hx50W
10_Horse on leather white - Horses - framed
Watercolour on vellum ( leather)
Dim. 70Hx50W
10_Horse on leather white - Horses - framed
Watercolour on vellum ( leather)
Dim. 70Hx50W
Click on the image to see the exhibition booklet
Vali Ciobanu About Leather Painting Technique
VIDEO
For any information regarding the works above, you can contact us at: oana@renaissance-artgallery.com sau la +40 722 381 325.